This event for young patrons is part of AFMO’s Avant-Garde program.

The exhibition Lucas Arruda. Qu’importe le paysage at the Musée d’Orsay is the first monographic exhibition at a French museum to be devoted to this emblematic figure on Brazil’s contemporary art scene. A true master of pictorial gesture, he has developed his work around light, consistently depicting landscapes and taking a rigorous approach that leads him from figuration to abstraction.

Art Paris returns to the newly-renovated Grand Palais for its 27th edition. This year, the event will showcase 170 modern and contemporary art galleries from 25 countries representing more than 900 artists.

“Art in the street” is the first exposition at the musée d’Orsay devoted to the development of the illustrated color poster at the end of the 19th century.

The Fondation Custodia, located in the Hôtel Lévis-Mirepoix and the Hôtel Turgot, is France’s largest center for art on paper. Founded in 1947 by collectors Frits and Jacoba Lugt, it preserves a vast collection of drawings, prints, and artists’ letters. The Fondation features an extensive art history library with 130,000 volumes, focusing on Western art from 1450 to 1900, particularly Northern Schools of the Golden Age.

This event for young patrons is part of AFMO’s Avant-Garde program.

“Art in the street” is the first exposition at the musée d’Orsay devoted to the development of the illustrated color poster at the end of the 19th century.

The 2025 edition of Salon du Dessin, a highly regarded international fair that has gained a prominent position in the world of art collecting, returns to the newly-renovated Grand Palais. Collectors, specialists, curators, scholars, and enthusiasts from all over the globe attend this event, which showcases over 1000 exceptional drawings.

The Musée Marmottan Monet’s exhibition “Trompe-l’oeil, from 1520 to the present day” traces the history of the representation of reality in the arts and seeks to pay tribute to a little-known facet of the Museum’s collections, while shining a light on Jules and Paul Marmottan’s penchant for this pictorial genre.

The Grand Palais’ latest exhibition, Chiharu Shiota. The Soul Trembles. is dedicated to the poetic work of Chiharu Shiota, a Japanese artist world-renowned for her monumental installations of interlacing wool yarn—giant canvases which often envelop objects from her everyday life and invite viewers on a majestic, dreamlike journey.

Co-organised with the Mori Art Museum, Tokyo, this exhibition is the largest ever devoted to the artist in France. Covering over 1,200 square metres, it offers a sensitive experience. With seven large-scale installations sculptures, photographs, drawings, performance videos and archive documents related to its staging project, the exhibition represents an opportunity for visitors to familiarise themselves with Shiota’s career, which spans over twenty years.

Every month, on the third Saturday, Christophe Boïcos and Anne Catherine Abecassis take turns and host a conference, followed by a short Q&A session. The conference will be recorded live, and available online for one month.

This lecture will explore the 100th anniversary of the International Art Deco exhibition in Paris.

Presented to the French public for the first time, Bruno Liljefors is a key figure on the Scandinavian art scene of the late 19th century. Petit Palais' exhibition "Wild Sweden" aims to reveal Liljefors' pictorial virtuosity and original contributions to the construction of the imaginary of Swedish nature.

The Orangerie Water Lily remain one of the greatest achievements of painting of the first half of the twentieth century, in many ways the ultimate masterpiece of Claude Monet’s long career. This lecture will explore the negotiations, political intrigue, doubts and discouragement that preceded the unveiling of these monumental creations.

The Fondation Louis Vuitton’s exhibition Pop Forever, Tom Wesselmann &…  ” is dedicated to Pop Art , one of the major artistic movements of the 1960s whose presence continues to assert itself on all continents and for all generations.

From urban workers and sportsmen to gentlemen on balconies and intimate male nudes, Caillebotte’s paintings of men challenged the social and sexual norms of his era. Bringing together about 70 significant paintings, pastels, sketches, photographs, and documents, the Musée d'Orsay's autumn exhibition, Caillebotte. Painting Men, explores this recurring motif in the artists’ work.

Realistic and organized, generous and modest, Gustave Caillebotte's personality is fascinating. A man of many interests who, far from being vain, gave his all to everything he undertook, which was made possible by the financial wealth he inherited from his family.  The meeting of man and artist is fascinating, and it is this man that we invite you to discover through this lecture.

The Musée d’Orsay’s retrospective of Backer’s work—the first to take place in France—explores her contributions to the Norwegian art scene and its connection to the Parisian avant-garde.

The Musée de l’Orangerie’s autumn exhibition features the collection of German art dealer and collector Heinz Berggruen. The vibrant exhibition, Heinz Berggruen, a dealer and his collection, showcases works by Picasso, Klee, Matisse, and Giacometti through monographs and thematic displays, which reflect Berggruen's personal affinities and choices. 

From urban workers and sportsmen to gentlemen on balconies and intimate male nudes, Caillebotte’s paintings of men challenged the social and sexual norms of his era. Bringing together about 70 significant paintings, pastels, sketches, photographs, and documents, the Musée d'Orsay's autumn exhibition, Caillebotte. Painting Men, explores this recurring motif in the artists’ work.

FAB is the only general trade fair dedicated to Fine Arts in Paris, with the objective of restoring Paris to a major place on the art market.

Join us for a private tour of the Egon Schiele: Living Landscapes and highlights of the permanent collection at the Neue Galerie, New York.

In our lecture we will follow the evolution of the depictions of modern Paris from the 1860s through the Impressionist era (1874-1886) concluding with the Belle Epoque (1890-1910) when the subject becomes a standard staple of commercial art. Manet, Monet, Caillebotte, Renoir, Pissarro and Seurat are some of the best known modern masters we will be looking at along with the lesser known, but key Paris painters of the era: Forain, de Nittis, Béraud, Lhermitte and Luce.

The Lafayette Escadrille Memorial Cemetery commemorates the birthplace of American combat aviation, and serves as a symbol of the Franco-American comradeship during World War I.

We invite you to join us on a guided tour of the Paris Photo art fair, the largest international art fair dedicated to the photographic medium and is held each November in the heart of Paris. Since 1997, the Fair’s mission is to promote and nurture photographic creation and the galleries, publishers and artists at its source.

The Musée d’Orsay’s retrospective of Backer’s work—the first to take place in France—explores her contributions to the Norwegian art scene and its connection to the Parisian avant-garde.

The Musée de l’Orangerie’s autumn exhibition features the collection of German art dealer and collector Heinz Berggruen. The vibrant exhibition, Heinz Berggruen, a dealer and his collection, showcases works by Picasso, Klee, Matisse, and Giacometti through monographs and thematic displays, which reflect Berggruen's personal affinities and choices. 

From urban workers and sportsmen to gentlemen on balconies and intimate male nudes, Caillebotte’s paintings of men challenged the social and sexual norms of his era. Bringing together about 70 significant paintings, pastels, sketches, photographs, and documents, the Musée d'Orsay's autumn exhibition, Caillebotte. Painting Men, explores this recurring motif in the artists’ work.

Celebrating the 150th anniversary of the first Impressionist exhibition, the National Gallery of Art Washington presents Paris 1874: the Impressionist Moment. Join the National Gallery Curator Mary Morton with art historians Emmelyn Butterfield-Rosen (NYU's Institute of Fine Art) and Joachim Pissarro (MoMA and CUNY) for an evening of dialogue about this groundbreaking exhibition.

The walk will take us past artist's studios (Man Ray, Picasso) and villas of the Art Nouveau and Art Deco periods, some of the finest 1930's apartment buildings in Paris.

Camille Doncieux (1847-1879) worked as an artist’s model when she first met Claude Monet in Paris in March 1865. She became the great love of his life and the only woman or figure he consistently painted in his entire career. Camille posed for many of Monet’s iconic paintings of his early career, including Luncheon on the Grass (1865-66), Women in a Garden (1866), The Poppies (1873) and Woman with a Parasol (1875).